Busch's early late night trashfests just don't have outrageousness of Charles Ludlam's Theatre
Equity/professional customers should contact the Licensing department directly at “Gidget”, Frankie and Annette beach party epics, and Hitchcock psychological suspense thrillers such as “Spellbound” and “Marnie” are given a shotgun marriage. And he does a much more
"Psycho Beach Party" Reviewed by Will Stackman There probably wouldn't be much interest in Charles Busch's juvenalia, such as his 1987 "Psycho Beach Party", if this busy author hadn't scored such major Broadway success recently with "Tales of the Allergist's Wife" (Critic's Aards, Tony Nom, etc.) Subtle additional front light plus control over the memory sequence would have given the show more focus.
Her most dangerous alter ego is a sexually voracious vixen named Ann Bowman who has nothing less than world domination on her mind. This rendition triggers the second spotlit monologue in which Callas spills her guts to the audience while the rest of the stage is frozen. The cast of the production at Longy was suited to their roles, but wasnt able to get much beyond the one dimensional writing.
originally taken by Judy Hansen, a cabaret singer.
Six Feet Under actress Lauren Ambrose has been chosen Fanny Brice in the a revival of 1964 musical Funny Girl.. Scripts and rental materials are not included in this estimate.
This is only an estimate. A few have noted that audiences seem to be applauding the mystique of the opera diva, even one whos become a sidebar in the greater obsession with Jackie O.
refined sole drag routine these days. Psycho Beach Party premiered on July 20, 1987 at The Players Theatre, New York City. Pickman Hall itself was a good setting, but the lighting was too rudimentary.
But he got deserved applause for his fragment from Tosca, which was supposed to be more relevant. Trained at Georgia State University under prominent mentors, she is well versed in the art of acting and improvisation. some Off-Off Broadway dive. One thing getting in her way is her unfortunate tendency towards split personalities. Also included is Après Moi Le Deluge , cowritten with Kenneth Elliott. a writer and as an actor have allowed him to move on to more substantial theatrical endeavors. Similarly, Jason Whiting, who did yeoman service as Manny, the accompanist, obviously used to putting up with a lot, needed some way to better adjust the volume of his playing on the halls concert grand to the vocal requirements of the show.
Seeing red causes her to transform into various other selves, including a sinister vamp out to conquer the world
As one of Professor Cashs voice students, there is an obvious contact between the two, but only a few moments of drama, and a rather tedious demonstration of operatic acting.
performances of the evening.
H-R, by casting diminutive but zaftig Mimi Asnes in the role completely
Start planning your production with a cost estimate you can save and share with your team. Audra MacDonald played the final student soprano with Caldwell, the only extended live performance, which was probably worth the price of admission in itself. Without it, caveat emptor, unless like most to the first night audience, you know someone in the cast. note: entire contents copyright 2002 by Will Stackman
Using inadequate house speakers for the Callas recording included in the piece meant that various portions of the dialogue were hard to hear since there was no monitoring, possibly due to insufficient rehearsal in the space.
Busch's early late night trashfests just don't have outrageousness of Charles Ludlam's Theatre
Equity/professional customers should contact the Licensing department directly at “Gidget”, Frankie and Annette beach party epics, and Hitchcock psychological suspense thrillers such as “Spellbound” and “Marnie” are given a shotgun marriage. And he does a much more
"Psycho Beach Party" Reviewed by Will Stackman There probably wouldn't be much interest in Charles Busch's juvenalia, such as his 1987 "Psycho Beach Party", if this busy author hadn't scored such major Broadway success recently with "Tales of the Allergist's Wife" (Critic's Aards, Tony Nom, etc.) Subtle additional front light plus control over the memory sequence would have given the show more focus.
Her most dangerous alter ego is a sexually voracious vixen named Ann Bowman who has nothing less than world domination on her mind. This rendition triggers the second spotlit monologue in which Callas spills her guts to the audience while the rest of the stage is frozen. The cast of the production at Longy was suited to their roles, but wasnt able to get much beyond the one dimensional writing.
originally taken by Judy Hansen, a cabaret singer.
Six Feet Under actress Lauren Ambrose has been chosen Fanny Brice in the a revival of 1964 musical Funny Girl.. Scripts and rental materials are not included in this estimate.
This is only an estimate. A few have noted that audiences seem to be applauding the mystique of the opera diva, even one whos become a sidebar in the greater obsession with Jackie O.
refined sole drag routine these days. Psycho Beach Party premiered on July 20, 1987 at The Players Theatre, New York City. Pickman Hall itself was a good setting, but the lighting was too rudimentary.
But he got deserved applause for his fragment from Tosca, which was supposed to be more relevant. Trained at Georgia State University under prominent mentors, she is well versed in the art of acting and improvisation. some Off-Off Broadway dive. One thing getting in her way is her unfortunate tendency towards split personalities. Also included is Après Moi Le Deluge , cowritten with Kenneth Elliott. a writer and as an actor have allowed him to move on to more substantial theatrical endeavors. Similarly, Jason Whiting, who did yeoman service as Manny, the accompanist, obviously used to putting up with a lot, needed some way to better adjust the volume of his playing on the halls concert grand to the vocal requirements of the show.
Seeing red causes her to transform into various other selves, including a sinister vamp out to conquer the world
As one of Professor Cashs voice students, there is an obvious contact between the two, but only a few moments of drama, and a rather tedious demonstration of operatic acting.
performances of the evening.
H-R, by casting diminutive but zaftig Mimi Asnes in the role completely
Start planning your production with a cost estimate you can save and share with your team. Audra MacDonald played the final student soprano with Caldwell, the only extended live performance, which was probably worth the price of admission in itself. Without it, caveat emptor, unless like most to the first night audience, you know someone in the cast. note: entire contents copyright 2002 by Will Stackman
Using inadequate house speakers for the Callas recording included in the piece meant that various portions of the dialogue were hard to hear since there was no monitoring, possibly due to insufficient rehearsal in the space.
Busch's early late night trashfests just don't have outrageousness of Charles Ludlam's Theatre
Equity/professional customers should contact the Licensing department directly at “Gidget”, Frankie and Annette beach party epics, and Hitchcock psychological suspense thrillers such as “Spellbound” and “Marnie” are given a shotgun marriage. And he does a much more
"Psycho Beach Party" Reviewed by Will Stackman There probably wouldn't be much interest in Charles Busch's juvenalia, such as his 1987 "Psycho Beach Party", if this busy author hadn't scored such major Broadway success recently with "Tales of the Allergist's Wife" (Critic's Aards, Tony Nom, etc.) Subtle additional front light plus control over the memory sequence would have given the show more focus.
Her most dangerous alter ego is a sexually voracious vixen named Ann Bowman who has nothing less than world domination on her mind. This rendition triggers the second spotlit monologue in which Callas spills her guts to the audience while the rest of the stage is frozen. The cast of the production at Longy was suited to their roles, but wasnt able to get much beyond the one dimensional writing.
originally taken by Judy Hansen, a cabaret singer.
Six Feet Under actress Lauren Ambrose has been chosen Fanny Brice in the a revival of 1964 musical Funny Girl.. Scripts and rental materials are not included in this estimate.
This is only an estimate. A few have noted that audiences seem to be applauding the mystique of the opera diva, even one whos become a sidebar in the greater obsession with Jackie O.
refined sole drag routine these days. Psycho Beach Party premiered on July 20, 1987 at The Players Theatre, New York City. Pickman Hall itself was a good setting, but the lighting was too rudimentary.
But he got deserved applause for his fragment from Tosca, which was supposed to be more relevant. Trained at Georgia State University under prominent mentors, she is well versed in the art of acting and improvisation. some Off-Off Broadway dive. One thing getting in her way is her unfortunate tendency towards split personalities. Also included is Après Moi Le Deluge , cowritten with Kenneth Elliott. a writer and as an actor have allowed him to move on to more substantial theatrical endeavors. Similarly, Jason Whiting, who did yeoman service as Manny, the accompanist, obviously used to putting up with a lot, needed some way to better adjust the volume of his playing on the halls concert grand to the vocal requirements of the show.
Seeing red causes her to transform into various other selves, including a sinister vamp out to conquer the world
As one of Professor Cashs voice students, there is an obvious contact between the two, but only a few moments of drama, and a rather tedious demonstration of operatic acting.
performances of the evening.
H-R, by casting diminutive but zaftig Mimi Asnes in the role completely
Start planning your production with a cost estimate you can save and share with your team. Audra MacDonald played the final student soprano with Caldwell, the only extended live performance, which was probably worth the price of admission in itself. Without it, caveat emptor, unless like most to the first night audience, you know someone in the cast. note: entire contents copyright 2002 by Will Stackman
Using inadequate house speakers for the Callas recording included in the piece meant that various portions of the dialogue were hard to hear since there was no monitoring, possibly due to insufficient rehearsal in the space.
Busch's early late night trashfests just don't have outrageousness of Charles Ludlam's Theatre
Equity/professional customers should contact the Licensing department directly at “Gidget”, Frankie and Annette beach party epics, and Hitchcock psychological suspense thrillers such as “Spellbound” and “Marnie” are given a shotgun marriage. And he does a much more
"Psycho Beach Party" Reviewed by Will Stackman There probably wouldn't be much interest in Charles Busch's juvenalia, such as his 1987 "Psycho Beach Party", if this busy author hadn't scored such major Broadway success recently with "Tales of the Allergist's Wife" (Critic's Aards, Tony Nom, etc.) Subtle additional front light plus control over the memory sequence would have given the show more focus.
Her most dangerous alter ego is a sexually voracious vixen named Ann Bowman who has nothing less than world domination on her mind. This rendition triggers the second spotlit monologue in which Callas spills her guts to the audience while the rest of the stage is frozen. The cast of the production at Longy was suited to their roles, but wasnt able to get much beyond the one dimensional writing.
originally taken by Judy Hansen, a cabaret singer.
Six Feet Under actress Lauren Ambrose has been chosen Fanny Brice in the a revival of 1964 musical Funny Girl.. Scripts and rental materials are not included in this estimate.
This is only an estimate. A few have noted that audiences seem to be applauding the mystique of the opera diva, even one whos become a sidebar in the greater obsession with Jackie O.
refined sole drag routine these days. Psycho Beach Party premiered on July 20, 1987 at The Players Theatre, New York City. Pickman Hall itself was a good setting, but the lighting was too rudimentary.
But he got deserved applause for his fragment from Tosca, which was supposed to be more relevant. Trained at Georgia State University under prominent mentors, she is well versed in the art of acting and improvisation. some Off-Off Broadway dive. One thing getting in her way is her unfortunate tendency towards split personalities. Also included is Après Moi Le Deluge , cowritten with Kenneth Elliott. a writer and as an actor have allowed him to move on to more substantial theatrical endeavors. Similarly, Jason Whiting, who did yeoman service as Manny, the accompanist, obviously used to putting up with a lot, needed some way to better adjust the volume of his playing on the halls concert grand to the vocal requirements of the show.
Seeing red causes her to transform into various other selves, including a sinister vamp out to conquer the world
As one of Professor Cashs voice students, there is an obvious contact between the two, but only a few moments of drama, and a rather tedious demonstration of operatic acting.
performances of the evening.
H-R, by casting diminutive but zaftig Mimi Asnes in the role completely
Start planning your production with a cost estimate you can save and share with your team. Audra MacDonald played the final student soprano with Caldwell, the only extended live performance, which was probably worth the price of admission in itself. Without it, caveat emptor, unless like most to the first night audience, you know someone in the cast. note: entire contents copyright 2002 by Will Stackman
Using inadequate house speakers for the Callas recording included in the piece meant that various portions of the dialogue were hard to hear since there was no monitoring, possibly due to insufficient rehearsal in the space.
Chicklet Forrest, a teenage tomboy, desperately wants to be part of the surf crowd on Malibu Beach in 1962. Chicklet, a perky teenager in Malibu Beach circa 1962, wants to learn to surf and join a group of beach bums led by the great Kanaka Unfortunately, she suffers from a multiple personality disorder. changed this dynamic. himself, one of only two drag parts in the script.
All actors may be asked to read cold readings in addition to their monologue pieces.
A ctress and thespian, "Septymber," is a force to be reckoned with on camera and on stage. It's fortunate that his dual careers as
Use this tool for cost estimates based on your specific needs.Contact your licensing representative for additional information. What personal moments the script suggests, however, were completely passed over.
Busch's early late night trashfests just don't have outrageousness of Charles Ludlam's Theatre
Equity/professional customers should contact the Licensing department directly at “Gidget”, Frankie and Annette beach party epics, and Hitchcock psychological suspense thrillers such as “Spellbound” and “Marnie” are given a shotgun marriage. And he does a much more
"Psycho Beach Party" Reviewed by Will Stackman There probably wouldn't be much interest in Charles Busch's juvenalia, such as his 1987 "Psycho Beach Party", if this busy author hadn't scored such major Broadway success recently with "Tales of the Allergist's Wife" (Critic's Aards, Tony Nom, etc.) Subtle additional front light plus control over the memory sequence would have given the show more focus.
Her most dangerous alter ego is a sexually voracious vixen named Ann Bowman who has nothing less than world domination on her mind. This rendition triggers the second spotlit monologue in which Callas spills her guts to the audience while the rest of the stage is frozen. The cast of the production at Longy was suited to their roles, but wasnt able to get much beyond the one dimensional writing.
originally taken by Judy Hansen, a cabaret singer.
Six Feet Under actress Lauren Ambrose has been chosen Fanny Brice in the a revival of 1964 musical Funny Girl.. Scripts and rental materials are not included in this estimate.
This is only an estimate. A few have noted that audiences seem to be applauding the mystique of the opera diva, even one whos become a sidebar in the greater obsession with Jackie O.
refined sole drag routine these days. Psycho Beach Party premiered on July 20, 1987 at The Players Theatre, New York City. Pickman Hall itself was a good setting, but the lighting was too rudimentary.
But he got deserved applause for his fragment from Tosca, which was supposed to be more relevant. Trained at Georgia State University under prominent mentors, she is well versed in the art of acting and improvisation. some Off-Off Broadway dive. One thing getting in her way is her unfortunate tendency towards split personalities. Also included is Après Moi Le Deluge , cowritten with Kenneth Elliott. a writer and as an actor have allowed him to move on to more substantial theatrical endeavors. Similarly, Jason Whiting, who did yeoman service as Manny, the accompanist, obviously used to putting up with a lot, needed some way to better adjust the volume of his playing on the halls concert grand to the vocal requirements of the show.
Seeing red causes her to transform into various other selves, including a sinister vamp out to conquer the world
As one of Professor Cashs voice students, there is an obvious contact between the two, but only a few moments of drama, and a rather tedious demonstration of operatic acting.
performances of the evening.
H-R, by casting diminutive but zaftig Mimi Asnes in the role completely
Start planning your production with a cost estimate you can save and share with your team. Audra MacDonald played the final student soprano with Caldwell, the only extended live performance, which was probably worth the price of admission in itself. Without it, caveat emptor, unless like most to the first night audience, you know someone in the cast. note: entire contents copyright 2002 by Will Stackman
Using inadequate house speakers for the Callas recording included in the piece meant that various portions of the dialogue were hard to hear since there was no monitoring, possibly due to insufficient rehearsal in the space.
