Alcott, writing under the pseudonym A. M. Barnard, often did the same, and Behind a Mask (1866) is one of her sensation novels.
But is the beguiling Miss Muir all that she seems to be?
Alcott’s Femme Fatale “Behind a Mask, or A Woman’s Power” is a psychologically intriguing tale woven by Louisa May Alcott, which she terms as one of her “blood-and-thunder tales” that she wrote under the pseudonym of A.M. Barnard (xi).
However, Jean Muir, the main female character in Louisa May Alcott’s novella Behind a Mask, contradicts this standard in her clever manipulation of the Coventry family. Web.
Lots of Essays. This answer can only be appreciated if the reader accepts the world as portrayed by Alcott, and believes, as this reader does, that Alcott means Jean's tactics to be a sign of necessary strength, and not weakness. No such trauma is reported by Alcott with respect to Jean. 28 Aug. 2020. This story belongs with many other thrillers and mysteries that Alcott published under the Set in the Coventry Mansion during the Victorian era, the wealthy family hires a young woman named Jean Muir to be the governess of sixteen-year-old Bella.
Eventually, all the male characters fall in love with her: first Ned, the youngest, followed by the skeptic Gerald, and gradually the unassuming uncle, John. Behind a Mask, or A Woman's Power is a novella written by American author Louisa May Alcott.The novella was originally published in 1866 under the pseudonym of A. M. Barnard in The Flag of Our Union.Set in Victorian era Britain, the story follows Jean Muir, the deceitful governess of the wealthy Coventry family. BEHIND A MASK, the first story, owes a lot to Jane Eyre and it's deja vu all over again, as the Bronte classic surely was the inspiration for Jean Muir in this story of a governess who connives to make all the men in a household where she is employed fall madly in love with her. Acting the part of a harmless governess, Jean slowly but surely weasels her way into the hearts of the Coventry family. Here Kahane relates hysteria and feminism; Feminism, in its commitment to giving women public voice not only through suffrage but also through its use of the woman orator, seemed the mirror image of hysteria, in which the body spoke what the voice could not (Kahane 281).
(Introduction by Elizabeth Klett)
Literature Network » Louisa May Alcott » Behind A Mask or, A Woman's Power » Chapter 4. She uses the love they bestow upon her to turn them against each other and eventually to secure the Coventry estate for herself. The central character of Behind a Mask is Jean Muir. LotsofEssays.com.
When she first meets the Coventry family, Jean succeeds in charming Bella, Ned and Mrs. Coventry by having a fainting spell. However, another aspect of hysteria introduces a fascinating possibility. For several days Coventry was confined to his room, much against his ... Jean Muir never came near him, and Jean Muir alone seemed to possess … However, Gerald and Lucia, son of the estate and cousin to the Coventry family, remain suspicious. All Rights Reserved. If she is in any meaningful way an hysteric, her hysteria is the most controlled and effective hysteria ever witnessed. They are skeptical with good reason, for when Jean retires to her own bedroom, she removes her costume (a wig and some fake teeth) to reveal that she is actually an actress of at least thirty years of age. Here, the delightfully devious Jean Muir starts governessing for a w "Behind a Mask" was one of Alcott's, but in this case I'm going to say she undersold her works considerably - it's really a hoot. Read expert analysis on Behind a Mask; or, A Woman's Power Chapter VIII - Suspense at Owl Eyes Behind a Mask; or, A Woman's Power. Hysteria, to the patriarchal Freud, was largely confined to women suffering from an inability to express themselves (sometimes unto actual muteness) because of a real or imagined childhood sexual trauma (Kahane 281).
An additional and related question is whether Jean is an hysteric.
It focuses on Jean Muir, who enters the home of the wealthy Coventry family as governess to their sixteen-year-old daughter. Character of Jean Muir in Alcott's Behind a Mask This study will psychoanalyze the integrity of Jean Muir's happiness and success in Louisa May Alcott's novella Behind A Mask; or, A Woman's Power. The question is whether Jean surrenders all of her integrity, or even all of her true identity, in performing the various roles she plays as a governess, an actress, and an engaged woman, in order to achieve that success. Retrieved 20:45, August 28, 2020, from https://www.lotsofessays.com/viewpaper/1691210.html
Jean as a governess, as an actor, as a manipulator with words of the man she would marry, of her employers, is certainly an orator of sorts. By the end of the story, Jean Muir has married John to become Lady Coventry. The answer is that she may have lost some or much of her integrity, or even her identity in her reliance on the masks of her different roles, but in order to achieve success in the patriarchal, deception-ridden society in which she lives, she makes the choice to do whatever she has to do.
Alcott, writing under the pseudonym A. M. Barnard, often did the same, and Behind a Mask (1866) is one of her sensation novels.
But is the beguiling Miss Muir all that she seems to be?
Alcott’s Femme Fatale “Behind a Mask, or A Woman’s Power” is a psychologically intriguing tale woven by Louisa May Alcott, which she terms as one of her “blood-and-thunder tales” that she wrote under the pseudonym of A.M. Barnard (xi).
However, Jean Muir, the main female character in Louisa May Alcott’s novella Behind a Mask, contradicts this standard in her clever manipulation of the Coventry family. Web.
Lots of Essays. This answer can only be appreciated if the reader accepts the world as portrayed by Alcott, and believes, as this reader does, that Alcott means Jean's tactics to be a sign of necessary strength, and not weakness. No such trauma is reported by Alcott with respect to Jean. 28 Aug. 2020. This story belongs with many other thrillers and mysteries that Alcott published under the Set in the Coventry Mansion during the Victorian era, the wealthy family hires a young woman named Jean Muir to be the governess of sixteen-year-old Bella.
Eventually, all the male characters fall in love with her: first Ned, the youngest, followed by the skeptic Gerald, and gradually the unassuming uncle, John. Behind a Mask, or A Woman's Power is a novella written by American author Louisa May Alcott.The novella was originally published in 1866 under the pseudonym of A. M. Barnard in The Flag of Our Union.Set in Victorian era Britain, the story follows Jean Muir, the deceitful governess of the wealthy Coventry family. BEHIND A MASK, the first story, owes a lot to Jane Eyre and it's deja vu all over again, as the Bronte classic surely was the inspiration for Jean Muir in this story of a governess who connives to make all the men in a household where she is employed fall madly in love with her. Acting the part of a harmless governess, Jean slowly but surely weasels her way into the hearts of the Coventry family. Here Kahane relates hysteria and feminism; Feminism, in its commitment to giving women public voice not only through suffrage but also through its use of the woman orator, seemed the mirror image of hysteria, in which the body spoke what the voice could not (Kahane 281).
(Introduction by Elizabeth Klett)
Literature Network » Louisa May Alcott » Behind A Mask or, A Woman's Power » Chapter 4. She uses the love they bestow upon her to turn them against each other and eventually to secure the Coventry estate for herself. The central character of Behind a Mask is Jean Muir. LotsofEssays.com.
When she first meets the Coventry family, Jean succeeds in charming Bella, Ned and Mrs. Coventry by having a fainting spell. However, another aspect of hysteria introduces a fascinating possibility. For several days Coventry was confined to his room, much against his ... Jean Muir never came near him, and Jean Muir alone seemed to possess … However, Gerald and Lucia, son of the estate and cousin to the Coventry family, remain suspicious. All Rights Reserved. If she is in any meaningful way an hysteric, her hysteria is the most controlled and effective hysteria ever witnessed. They are skeptical with good reason, for when Jean retires to her own bedroom, she removes her costume (a wig and some fake teeth) to reveal that she is actually an actress of at least thirty years of age. Here, the delightfully devious Jean Muir starts governessing for a w "Behind a Mask" was one of Alcott's, but in this case I'm going to say she undersold her works considerably - it's really a hoot. Read expert analysis on Behind a Mask; or, A Woman's Power Chapter VIII - Suspense at Owl Eyes Behind a Mask; or, A Woman's Power. Hysteria, to the patriarchal Freud, was largely confined to women suffering from an inability to express themselves (sometimes unto actual muteness) because of a real or imagined childhood sexual trauma (Kahane 281).
An additional and related question is whether Jean is an hysteric.
It focuses on Jean Muir, who enters the home of the wealthy Coventry family as governess to their sixteen-year-old daughter. Character of Jean Muir in Alcott's Behind a Mask This study will psychoanalyze the integrity of Jean Muir's happiness and success in Louisa May Alcott's novella Behind A Mask; or, A Woman's Power. The question is whether Jean surrenders all of her integrity, or even all of her true identity, in performing the various roles she plays as a governess, an actress, and an engaged woman, in order to achieve that success. Retrieved 20:45, August 28, 2020, from https://www.lotsofessays.com/viewpaper/1691210.html
Jean as a governess, as an actor, as a manipulator with words of the man she would marry, of her employers, is certainly an orator of sorts. By the end of the story, Jean Muir has married John to become Lady Coventry. The answer is that she may have lost some or much of her integrity, or even her identity in her reliance on the masks of her different roles, but in order to achieve success in the patriarchal, deception-ridden society in which she lives, she makes the choice to do whatever she has to do.
Alcott, writing under the pseudonym A. M. Barnard, often did the same, and Behind a Mask (1866) is one of her sensation novels.
But is the beguiling Miss Muir all that she seems to be?
Alcott’s Femme Fatale “Behind a Mask, or A Woman’s Power” is a psychologically intriguing tale woven by Louisa May Alcott, which she terms as one of her “blood-and-thunder tales” that she wrote under the pseudonym of A.M. Barnard (xi).
However, Jean Muir, the main female character in Louisa May Alcott’s novella Behind a Mask, contradicts this standard in her clever manipulation of the Coventry family. Web.
Lots of Essays. This answer can only be appreciated if the reader accepts the world as portrayed by Alcott, and believes, as this reader does, that Alcott means Jean's tactics to be a sign of necessary strength, and not weakness. No such trauma is reported by Alcott with respect to Jean. 28 Aug. 2020. This story belongs with many other thrillers and mysteries that Alcott published under the Set in the Coventry Mansion during the Victorian era, the wealthy family hires a young woman named Jean Muir to be the governess of sixteen-year-old Bella.
Eventually, all the male characters fall in love with her: first Ned, the youngest, followed by the skeptic Gerald, and gradually the unassuming uncle, John. Behind a Mask, or A Woman's Power is a novella written by American author Louisa May Alcott.The novella was originally published in 1866 under the pseudonym of A. M. Barnard in The Flag of Our Union.Set in Victorian era Britain, the story follows Jean Muir, the deceitful governess of the wealthy Coventry family. BEHIND A MASK, the first story, owes a lot to Jane Eyre and it's deja vu all over again, as the Bronte classic surely was the inspiration for Jean Muir in this story of a governess who connives to make all the men in a household where she is employed fall madly in love with her. Acting the part of a harmless governess, Jean slowly but surely weasels her way into the hearts of the Coventry family. Here Kahane relates hysteria and feminism; Feminism, in its commitment to giving women public voice not only through suffrage but also through its use of the woman orator, seemed the mirror image of hysteria, in which the body spoke what the voice could not (Kahane 281).
(Introduction by Elizabeth Klett)
Literature Network » Louisa May Alcott » Behind A Mask or, A Woman's Power » Chapter 4. She uses the love they bestow upon her to turn them against each other and eventually to secure the Coventry estate for herself. The central character of Behind a Mask is Jean Muir. LotsofEssays.com.
When she first meets the Coventry family, Jean succeeds in charming Bella, Ned and Mrs. Coventry by having a fainting spell. However, another aspect of hysteria introduces a fascinating possibility. For several days Coventry was confined to his room, much against his ... Jean Muir never came near him, and Jean Muir alone seemed to possess … However, Gerald and Lucia, son of the estate and cousin to the Coventry family, remain suspicious. All Rights Reserved. If she is in any meaningful way an hysteric, her hysteria is the most controlled and effective hysteria ever witnessed. They are skeptical with good reason, for when Jean retires to her own bedroom, she removes her costume (a wig and some fake teeth) to reveal that she is actually an actress of at least thirty years of age. Here, the delightfully devious Jean Muir starts governessing for a w "Behind a Mask" was one of Alcott's, but in this case I'm going to say she undersold her works considerably - it's really a hoot. Read expert analysis on Behind a Mask; or, A Woman's Power Chapter VIII - Suspense at Owl Eyes Behind a Mask; or, A Woman's Power. Hysteria, to the patriarchal Freud, was largely confined to women suffering from an inability to express themselves (sometimes unto actual muteness) because of a real or imagined childhood sexual trauma (Kahane 281).
An additional and related question is whether Jean is an hysteric.
It focuses on Jean Muir, who enters the home of the wealthy Coventry family as governess to their sixteen-year-old daughter. Character of Jean Muir in Alcott's Behind a Mask This study will psychoanalyze the integrity of Jean Muir's happiness and success in Louisa May Alcott's novella Behind A Mask; or, A Woman's Power. The question is whether Jean surrenders all of her integrity, or even all of her true identity, in performing the various roles she plays as a governess, an actress, and an engaged woman, in order to achieve that success. Retrieved 20:45, August 28, 2020, from https://www.lotsofessays.com/viewpaper/1691210.html
Jean as a governess, as an actor, as a manipulator with words of the man she would marry, of her employers, is certainly an orator of sorts. By the end of the story, Jean Muir has married John to become Lady Coventry. The answer is that she may have lost some or much of her integrity, or even her identity in her reliance on the masks of her different roles, but in order to achieve success in the patriarchal, deception-ridden society in which she lives, she makes the choice to do whatever she has to do.
Alcott, writing under the pseudonym A. M. Barnard, often did the same, and Behind a Mask (1866) is one of her sensation novels.
But is the beguiling Miss Muir all that she seems to be?
Alcott’s Femme Fatale “Behind a Mask, or A Woman’s Power” is a psychologically intriguing tale woven by Louisa May Alcott, which she terms as one of her “blood-and-thunder tales” that she wrote under the pseudonym of A.M. Barnard (xi).
However, Jean Muir, the main female character in Louisa May Alcott’s novella Behind a Mask, contradicts this standard in her clever manipulation of the Coventry family. Web.
Lots of Essays. This answer can only be appreciated if the reader accepts the world as portrayed by Alcott, and believes, as this reader does, that Alcott means Jean's tactics to be a sign of necessary strength, and not weakness. No such trauma is reported by Alcott with respect to Jean. 28 Aug. 2020. This story belongs with many other thrillers and mysteries that Alcott published under the Set in the Coventry Mansion during the Victorian era, the wealthy family hires a young woman named Jean Muir to be the governess of sixteen-year-old Bella.
Eventually, all the male characters fall in love with her: first Ned, the youngest, followed by the skeptic Gerald, and gradually the unassuming uncle, John. Behind a Mask, or A Woman's Power is a novella written by American author Louisa May Alcott.The novella was originally published in 1866 under the pseudonym of A. M. Barnard in The Flag of Our Union.Set in Victorian era Britain, the story follows Jean Muir, the deceitful governess of the wealthy Coventry family. BEHIND A MASK, the first story, owes a lot to Jane Eyre and it's deja vu all over again, as the Bronte classic surely was the inspiration for Jean Muir in this story of a governess who connives to make all the men in a household where she is employed fall madly in love with her. Acting the part of a harmless governess, Jean slowly but surely weasels her way into the hearts of the Coventry family. Here Kahane relates hysteria and feminism; Feminism, in its commitment to giving women public voice not only through suffrage but also through its use of the woman orator, seemed the mirror image of hysteria, in which the body spoke what the voice could not (Kahane 281).
(Introduction by Elizabeth Klett)
Literature Network » Louisa May Alcott » Behind A Mask or, A Woman's Power » Chapter 4. She uses the love they bestow upon her to turn them against each other and eventually to secure the Coventry estate for herself. The central character of Behind a Mask is Jean Muir. LotsofEssays.com.
When she first meets the Coventry family, Jean succeeds in charming Bella, Ned and Mrs. Coventry by having a fainting spell. However, another aspect of hysteria introduces a fascinating possibility. For several days Coventry was confined to his room, much against his ... Jean Muir never came near him, and Jean Muir alone seemed to possess … However, Gerald and Lucia, son of the estate and cousin to the Coventry family, remain suspicious. All Rights Reserved. If she is in any meaningful way an hysteric, her hysteria is the most controlled and effective hysteria ever witnessed. They are skeptical with good reason, for when Jean retires to her own bedroom, she removes her costume (a wig and some fake teeth) to reveal that she is actually an actress of at least thirty years of age. Here, the delightfully devious Jean Muir starts governessing for a w "Behind a Mask" was one of Alcott's, but in this case I'm going to say she undersold her works considerably - it's really a hoot. Read expert analysis on Behind a Mask; or, A Woman's Power Chapter VIII - Suspense at Owl Eyes Behind a Mask; or, A Woman's Power. Hysteria, to the patriarchal Freud, was largely confined to women suffering from an inability to express themselves (sometimes unto actual muteness) because of a real or imagined childhood sexual trauma (Kahane 281).
An additional and related question is whether Jean is an hysteric.
It focuses on Jean Muir, who enters the home of the wealthy Coventry family as governess to their sixteen-year-old daughter. Character of Jean Muir in Alcott's Behind a Mask This study will psychoanalyze the integrity of Jean Muir's happiness and success in Louisa May Alcott's novella Behind A Mask; or, A Woman's Power. The question is whether Jean surrenders all of her integrity, or even all of her true identity, in performing the various roles she plays as a governess, an actress, and an engaged woman, in order to achieve that success. Retrieved 20:45, August 28, 2020, from https://www.lotsofessays.com/viewpaper/1691210.html
Jean as a governess, as an actor, as a manipulator with words of the man she would marry, of her employers, is certainly an orator of sorts. By the end of the story, Jean Muir has married John to become Lady Coventry. The answer is that she may have lost some or much of her integrity, or even her identity in her reliance on the masks of her different roles, but in order to achieve success in the patriarchal, deception-ridden society in which she lives, she makes the choice to do whatever she has to do.
A DISCOVERY. Jean draws upon what talents she has, and these are superlative. Jean is not merely the ruthless, vengeful perpetrator of a plot to get ahead.
Character of Jean Muir in Alcott's Behind a Mask. She is also a remarkably observant woman, with keen powers of analysis and judgment that can turn disadvantages into steppingstones. "Character of Jean Muir in Alcott's Behind a Mask."
Alcott, writing under the pseudonym A. M. Barnard, often did the same, and Behind a Mask (1866) is one of her sensation novels.
But is the beguiling Miss Muir all that she seems to be?
Alcott’s Femme Fatale “Behind a Mask, or A Woman’s Power” is a psychologically intriguing tale woven by Louisa May Alcott, which she terms as one of her “blood-and-thunder tales” that she wrote under the pseudonym of A.M. Barnard (xi).
However, Jean Muir, the main female character in Louisa May Alcott’s novella Behind a Mask, contradicts this standard in her clever manipulation of the Coventry family. Web.
Lots of Essays. This answer can only be appreciated if the reader accepts the world as portrayed by Alcott, and believes, as this reader does, that Alcott means Jean's tactics to be a sign of necessary strength, and not weakness. No such trauma is reported by Alcott with respect to Jean. 28 Aug. 2020. This story belongs with many other thrillers and mysteries that Alcott published under the Set in the Coventry Mansion during the Victorian era, the wealthy family hires a young woman named Jean Muir to be the governess of sixteen-year-old Bella.
Eventually, all the male characters fall in love with her: first Ned, the youngest, followed by the skeptic Gerald, and gradually the unassuming uncle, John. Behind a Mask, or A Woman's Power is a novella written by American author Louisa May Alcott.The novella was originally published in 1866 under the pseudonym of A. M. Barnard in The Flag of Our Union.Set in Victorian era Britain, the story follows Jean Muir, the deceitful governess of the wealthy Coventry family. BEHIND A MASK, the first story, owes a lot to Jane Eyre and it's deja vu all over again, as the Bronte classic surely was the inspiration for Jean Muir in this story of a governess who connives to make all the men in a household where she is employed fall madly in love with her. Acting the part of a harmless governess, Jean slowly but surely weasels her way into the hearts of the Coventry family. Here Kahane relates hysteria and feminism; Feminism, in its commitment to giving women public voice not only through suffrage but also through its use of the woman orator, seemed the mirror image of hysteria, in which the body spoke what the voice could not (Kahane 281).
(Introduction by Elizabeth Klett)
Literature Network » Louisa May Alcott » Behind A Mask or, A Woman's Power » Chapter 4. She uses the love they bestow upon her to turn them against each other and eventually to secure the Coventry estate for herself. The central character of Behind a Mask is Jean Muir. LotsofEssays.com.
When she first meets the Coventry family, Jean succeeds in charming Bella, Ned and Mrs. Coventry by having a fainting spell. However, another aspect of hysteria introduces a fascinating possibility. For several days Coventry was confined to his room, much against his ... Jean Muir never came near him, and Jean Muir alone seemed to possess … However, Gerald and Lucia, son of the estate and cousin to the Coventry family, remain suspicious. All Rights Reserved. If she is in any meaningful way an hysteric, her hysteria is the most controlled and effective hysteria ever witnessed. They are skeptical with good reason, for when Jean retires to her own bedroom, she removes her costume (a wig and some fake teeth) to reveal that she is actually an actress of at least thirty years of age. Here, the delightfully devious Jean Muir starts governessing for a w "Behind a Mask" was one of Alcott's, but in this case I'm going to say she undersold her works considerably - it's really a hoot. Read expert analysis on Behind a Mask; or, A Woman's Power Chapter VIII - Suspense at Owl Eyes Behind a Mask; or, A Woman's Power. Hysteria, to the patriarchal Freud, was largely confined to women suffering from an inability to express themselves (sometimes unto actual muteness) because of a real or imagined childhood sexual trauma (Kahane 281).
An additional and related question is whether Jean is an hysteric.
It focuses on Jean Muir, who enters the home of the wealthy Coventry family as governess to their sixteen-year-old daughter. Character of Jean Muir in Alcott's Behind a Mask This study will psychoanalyze the integrity of Jean Muir's happiness and success in Louisa May Alcott's novella Behind A Mask; or, A Woman's Power. The question is whether Jean surrenders all of her integrity, or even all of her true identity, in performing the various roles she plays as a governess, an actress, and an engaged woman, in order to achieve that success. Retrieved 20:45, August 28, 2020, from https://www.lotsofessays.com/viewpaper/1691210.html
Jean as a governess, as an actor, as a manipulator with words of the man she would marry, of her employers, is certainly an orator of sorts. By the end of the story, Jean Muir has married John to become Lady Coventry. The answer is that she may have lost some or much of her integrity, or even her identity in her reliance on the masks of her different roles, but in order to achieve success in the patriarchal, deception-ridden society in which she lives, she makes the choice to do whatever she has to do.
