nights in white satin genius

I think that’s when the concept of an album set over a day was developed, with “Nights In White Satin” at the end. We played with Josephine Baker there. And I played it on my computer, and I burst into tears. your own Pins on Pinterest We were going to the clubs every night, and there was a particular buzz going on, with Sgt Pepper and “A Whiter Shade Of Pale”, all the Jimi Hendrix things. We started in the morning and we finished at 5pm. User Ratings Wow! Menu. He performed the Dido hit single “Here With Me” and then sang with Rihanna for his celebrity duet turning in a solid version of her hit “Unfaithful.” Walker Jordan is a successful fashion photographer in L.A. Everytime I heard one of the songs from the movie played on the radio I was immediately reminded the first time I saw the movie. Hayward: I sometimes hear it on the radio, and I think, ‘Nothing’s happening!’ I never really got why it was a hit. John Lodge (bass): I don’t think there were any bookings when I joined, except in Belgium. She explained it to me, somehow.”. Edge: I see the poem I wrote, “Late Lament”, as homogenous to “Nights”. Just what the truth is, I can't say anymore. Cause I love you, yes I love you, oh how I love you. VHS Cover Scans - Update 18 February 2021. I was very tired and I wrote down the words. 'Cause I love you, Yes, I love you, Oh, how I love you. He’d describe it in this Stanley Kubrick way – “And then we fade across the setting sun, and sparks come out!” He was straight, four of us were pretty stoned – not John. The biggest hit from that album was Nights In White Satin, which has charted in Britain three times and reached No.2 on the US Hot 100. | Whenever it comes on, it turns any moment I'm experiencing into a slightly poignant one. When Justin Hayward and John Lodge joined The Moody Blues in August 1966, the Midlands band appeared to be on the way out. Something strange about the 80's; there was materialism and decadence, but stories were still written about the homeless, about career changes, about modeling. This movie shows that it's not the budget of a film, but the story that counts, and remains with the viewer. The energy was flying all over the place. It starts quietly and builds. It was like we were recording in CinemaScope. But I wasn’t upset it wasn’t on the single. Whenever it comes on, it turns any moment I'm experiencing into a slightly poignant one. I'm guessing this was something in its heyday but it feels very dated. I can only remember being in the studio. This is the type of film that touches a nerve in us all. “We used to practise coming back from gigs by singing dirty rugby songs like ‘Eskimo Nell’ in close harmony,” flautist Ray Thomas explains. Varnals: We did three bounces from one four-track to another, with a view to getting lots of Mellotron on, because its sound needed layering and smoothing out. I saw Knights In White Satin when it first premiered on cable in 1987. 2 He offers to take her portraits at his studio but she runs away. It was first featured as the segment "The Night" on the album Days of Future Passed.When first released as a single in 1967, it reached number 19 on the UK Singles Chart … But it needed a lot of reverb to round it out. I had no idea that this film would move me the way it did some 14 years ago. Then at the weekly A&R meeting on the 16th, somebody said, “It’s not a single – should we do it on an LP?” That’s when one of the A&R people, Michael Dacre-Barclay, grabbed it for a sound series he was already doing, to demonstrate the Deramic Stereo System. I'll call it Nights in White Satin. Hayward: We had a rehearsal room near where Mike lived in Barnes, and I played it to the guys. He was a deeply unpleasant man, and he became a parasite on the Moodies. “For ‘Days of Future Passed,’ I thought we were making an arty little album, and that’s about … She was an old lady then, and she’d still got one ’ell of a figure on her. Justin Hayward (vocals, acoustic guitar): I’m not sure that any of us could see a way forward for the group. If they don’t like it, we’re knackered. By then, I’ve picked my people to play it to. It’s 1967, or maybe 1968. So, let’s put “Nights in White Satin” in context. Lodge: None of us had got the full picture of “Nights” until then. I did write letters, never meaning to send. But I never heard it until about two years ago, I was in bed and somebody sent me a version by Bettye LaVette. Lodge: It couldn’t have taken long to record. Metacritic Reviews. I will not get into the plot of this film, but the flowing dance scene on the rooftop while "Knights In White Satin" is playing in the background gave me chills. Strumming: The Moody Blues - Nights In White Satin (chords) Accepted on Jul 3, 2017. But she took every line and made it something about herself that was transparent and clear. Ray Thomas (flute): We played some cabaret dates in the Northern clubs, and halfway through the set you’d hear, “Scampi and chips twice.” One night, Justin burst into tears. When we were making an album later, Justin was a little quiet and depressed. Hayward: We had a huge slice of luck when Decca asked us to do a demonstration record for the Deramic Stereo System, so their consumer division could sell stereos. The woman who played the homeless woman was pretty good so I'm curious to know why she didn't continue on with acting. It was a time when we all felt we were floating on air. Discover (and save!) Varnals: There’s two versions of “Nights In White Satin”. But I’m the only person who has the joy to sing it, and for the audience to go, “That guy did that, and he’s singing it for us.”, Edge: It’s the last but one song in the set when we play it now. I actually cannot remember going home to bed. Hippie clothing refers to clothing worn or made by “hippies," or clothing made to evoke or imitate these styles. Des Moines prepares for a ‘Night in White Satin’ ... As with many strokes of genius — regardless of medium — the band’s goals for the project were fairly humble. Is there any way to get a copy of this film? The Night: Nights in White Satin orchestra: London Festival Orchestra ( “house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople ) The cover of the Moody Blues’ classic album, Days of Future Passed, which includes the hit song, “Nights in White Satin.” Hayward: Yes. Hayward: A couple of days after that, Mike rediscovered an instrument called the Mellotron, and I went with him to the Dunlop factory social club in Birmingham, and bought it for about £25. I don't know what compelled me to watch this other than I have an affinity for 80's movies. “And that’s nice. As a song, disregarding whatever the words may mean, it's second only to Nights In White Satin. “I wrote it when I was immature, it’s a naïve song,” he explains. The film has reappeared! Movies. The song's lyrical genius is in the way it makes God relatable. Justin Hayward, the Moody Blues singer/guitarist responsible for dozens of iconic songs, comes to the Garde Arts Center in New London Saturday for a solo show. Feb 24, 2015 - Higher & Higher Issue 07-08 Fall/Winter 1986 It’s really just the layers of the Mellotron and the backing vocals that give it that drama. It was all a bit half-cocked. Hayward: Then in ’72 it was No 2 in the US, and in ’79 it came back in the UK, thanks to Jonathan King. Seven years later, having by then been covered by such disparate artists as Eric Burdon, Percy Faith, Giorgio Moroder and Californian … I think that’s what gives it its lushness, and the dynamics. Nights in White Satin is a haunting tune, thanks to its psychedelic, wall of sound production. Nights in white satin, never reaching the end, Letters I've written, never meaning to send. “Nights In White Satin” ‘X Factor’ Winner and Recording Artist. This one had tapes hanging out the back of the LSO moonlighting, which were triggered by a keyboard. But by the time we put the backing vocals on, the record had its own ethos, grand and dramatic, and it encouraged us to blend the voices in with the Mellotron. It’s not that I’d been going through the motions. The song's lyrical genius is in the way it makes God relatable. It brings old emotions back to the surface for some of them. | A brilliant, beautiful little unknown film - and a reply to a critic. He photographs the homeless community in his spare time and is taken by one particular girl named Lisa. We found out years later that the DJ picked the longest record so he could go out the back and smoke his bong! It does sound huge at the end, but if you put a dB meter on it, it doesn’t alter that much. Welcome to a very special issue of Uncut, as we celebrate Bob Dylan’s 80th birthday. My wife came in and said, ‘What on earth’s the matter?’ I heard the lyrics for the first time. It’s quite an intense lyric. Nights In White Satin was reissued in 1972, making the Top 10 at home and reaching No.2 on the US Billboard chart. I believe it was a "made for TV" film which makes it much more difficult to obtain. Varnals: It’s a very empty, simple arrangement. On YouTube! That’s what Days Of Future Passed was, really. She's deliberately mute. Nights in White Satin (piano arrangement) (tracks 7, 14, 18) Nights in White Satin ( orchestral arrangement ) (tracks 7, 14, 18) is the basis for: Thomas: Justin won’t own up to it now, but he had the idea for “Nights…” sitting on the loo – with the lid down. Introducing Uncut’s amazing Bob Dylan covers CD, Introducing the Deluxe Ultimate Music Guide to Neil Young, Prince’s “lost” album Welcome 2 America is finally getting released, George Martin’s ‘Ray Cathode’ tracks to be reissued, Richard Thompson on the flowering of Fairport Convention. ... View tab Search: Google song at genius.com Google lyrics … Edge: It is the gelling quality of the harmonies – three of us were in the choir, we’d been trained over years to feel uplifting. ... Frank Zappa’s genius, both cosmic and comical, has no equivalent today, this is because no one, in almost three decades, has been able to combine such a high level of musical talent with such a brilliant sense of humor. We thought, ‘Christ, that sounds bloody good.’. Hayward: Dacre-Barclay was very shrewd, very suave – I never saw him again, and he took a royalty and a share of the publishing. Awards I'm such a genius!" And the way the voices sparked off the echo-chamber just right. It took keyboardist Mike Pinder’s purchase of a primitive, tape-based orchestral sampler, the Mellotron, and a lyric inspired by luxurious bed-sheets to revive their fortunes. Looking at my diary, we recorded it [at Decca Studio One] on Sunday, October 8. She still got into the feathers and tights. Beauty I'd always missed with these eyes before. It's a simple love song that transforms into a spectre on whatever equipment you use to listen to it. His agent Marty Fiore pushes him to photograph Stevie Hughes. Because everything has its own space, everything sounds bigger. Varnals: On the 20th, the Friday morning, I went to a meeting when they knocked around the idea of doing a rock band with orchestral bits, in the same way that “A Day In The Life” had. Their 1964 No 1, “Go Now” was long gone, its R’n’B direction played out. That’s bizarre, isn’t it? Graeme Edge (drums): Mike’s riff is one of the oldest licks in music. But I get very little financially from it, because when I was 18, I innocently and stupidly signed away my copyrights ’til I was 26 to Lonnie Donegan and his family for life, a deal a judge later described as “onerous”. Article by Elizabeth Christopher. For me it happened when we recorded “Nights” on the BBC Radio’s Saturday Club, which sounded very much as the record eventually turned out. Your imagination takes over. But harmonically, the spread is huge. Your brain makes huge differences. We overdubbed the orchestra on the last third of it on the stereo mix on the album, because Peter wanted to fit it into the big finale, which made “Nights” over seven minutes. We only had four tracks, so we put four voices on one track, and four on another. Introducing the new Uncut… Bob Dylan at 80 and our free 15-track Dylan CD! I wouldn't recommend this unless you are doing research on fashion in the 80's. Aug 25, 2013 - This Pin was discovered by Barb Frankow. Recorded: Oct 8, 1967 Released: Nov 10, 1967 from the album Days of Future Passed . | [Nights in White Satin] Nights in white satin, Never reaching the end, Letters I've written, Never meaning to send. Great place and great hospitality. | It brushes the cobwebs off. Breakfast was very good and had good nights sleep in that big comfortable bed. Download here on your iPad/iPhone and here on your Kindle Fire or Nook. That scene was magical. I highly recommend this film. This film plays like a well crafted love letter. ‘Nights In White Satin’ is way too good to disappear.”. So we said, “Let’s write our own stuff.” We called it shit or bust. Every time I’d sung it, it had been heartfelt. Nights in White Satin yet provided that this is the radio version...if we are speaking the long version (the place the music would not end, only keeps going sounding like dramatic historic past action picture song, and the lead singer starts speaking like he's reciting Tolkein) then Whiter colour of mild, by way of fact it a minimum of has a battling element. Nights in White Satin is a haunting tune, thanks to its psychedelic, wall of sound production. And also there’s no middle-eight, which all pop songs had then. It's that caring nerve that us humans often try to cover up. It's kind of strange, but this film has stayed with me for many years. Nice acoustics, normally. In my opinion moviemaking was at its finest throughout that decade. If you said to me right now where were you living when you did that, I’d have to think about that. Overall I was bored and couldn't wait for it to be over. There’s quite a lot of truth in it. I had all of the lyrics on that first night. But nobody mentioned Dvořák. External Reviews “Just what you want to be, you will be in the end” is a philosophical thing. We’re at a Moody Blues concert. Thomas: In fact, they were pretty strict. I used to work at the factory in Birmingham that made them. https://www.loudersound.com/features/the-top-10-best-moody-blues-songs It's a simple love song that transforms into a spectre on whatever equipment you use to listen to it. Thomas: John, Justin, Mike and myself got round the mic. We used to talk about that. "Nights in White Satin" is a song by the Moody Blues, written and composed by Justin Hayward. We had a debt to Decca, and they asked us to do a version of Dvořák’s ‘New World Symphony’. This one did. Just what the truth is, I can't say anymore. “Nights In White Satin” was one of the most immediately recognisable classics of 1967, with its allusive lyrics and atmospheric arrangement built on a flute solo and epic harmonies. So I could understand what Walker Jordan went through. See more ideas about nights in white satin, wedding, dream wedding. The interview was conducted after their album Strange Times and Hall of Fame were… I DO have a Daughter!. “How wide is the colour on this song?”. Yes this is an absolutely brilliant MB song, and like NIWS it penetrates the soul, it haunts, it comforts. The era of coloured suits was over. It would have sounded absolutely fucking awful. The scene is set with Justin’s singing at the beginning. justin+hayward+ | JUSTIN HAYWARD-DRIFTWOOD- BBC BREAKFAST TV-23.8.85. Matt Cardle headed into the X Factor final as a heavy favorite from oddsmakers in the UK. Brian Wilson, the genius of the Beach Boys, is sitting there looking mesmerized — inspired. I was a struggling artist at the time who knew someone like Lisa. I can’t remember when the poem was added. Fantastic! Beauty I'd always missed with these eyes before. The single has been a transatlantic hit three times – but it’s only recently, says Hayward, that he feels he’s understood the song. We did “Nights” first. Thomas: Decca wanted Peter Knight’s orchestra to play Dvořák’s ‘New World Symphony’, interspersed with us playing rock’n’roll like “Hound Dog”. Derek Varnals (engineer): In fact, it was originally recorded as a stand-alone mono single. We’d be recording till 5, 6am. They’d been playing it onstage, so they knew how to do it. Gazing at people, some hand in hand, Just what I'm going through they can't understand. There is something very poetic about this film, and you really start to care about the characters as you watch. Hayward: Graeme and I were sharing two rooms with our girlfriends in Bayswater, and we came back very late at night. Lodge: We asked for 24-hour studio time, so we could have a lock-out, which was unheard of. He even sent someone to take the guitar I’d written “Nights” on while I was out, which was bizarre. Nights In White Satin was written by Justin Hayward (vocals, guitar) from the band, The Moody Blues. It was big on FM radio in Seattle first. Lisa dances and still haunted by the drive-by murder of her social worker boyfriend Tony who tried to work with gang members. Nights in white satin, never reaching the end, Letters I've written, never meaning to send. Beauty I'd always missed With these eyes before, Just what the truth is I can't say anymore. “Nights In White Satin” was one of the most immediately recognisable classics of 1967, with its allusive lyrics and atmospheric arrangement built on a flute solo and epic harmonies. (by Aronas Pinchas ) (2014) (pending approval) See also: Moody Blues Interior astral travel The best way to travel For some reason it stuck with me like the OP said. Thomas: France really put bacon on the table for us. The Moody Blues. Soon, he's sleeping with Stevie while Lisa is sleeping downstairs in his loft. When we went into the control room and listened to it, it was mesmerising. Your brain is filling in the picture. We realised we wanted to write our own music. The band tell the strange tale of their biggest hit, Next week The Moody Blues release a 50th anniversary edition of their debut album – here, we dig into the Uncut archives (June 2013 issue, 193) and hear the band tell the strange tale of their biggest hit, and how a Mellotron, swanky bed-sheets and a toilet-seat conspired to give Justin Hayward and co a timeless hit (and Lonnie Donegan a lot of money)… Interviews: Nick Hasted. Peter Knight, who was supposed to be doing the orchestral stuff, came down to see us at the 100 Club, and it was his idea to change it around to a concept album about a day and night. I said, “Don’t worry, Justin. Hayward: Tony Clarke was a boffin producer who could see the whole thing cinematically. Subscribe to Uncut today and never miss an issue. Something Zappa did so well. Yes this is an absolutely brilliant MB song, and like NIWS it penetrates the soul, it haunts, it comforts. One part of it was that I lived out of a suitcase then, I never had any possessions, and a previous girlfriend had bought me some white satin sheets. When Tony mixed the two together, he said, “You’ve got to come and have a listen to this.” When he played it back to us, it freaked us out that we could make such a big sound. Varnals: We tried it on other songs later, to give them a similar approach to “Nights In White Satin”, but the voices never worked like that again. Nights In White Satin. Justin on Facebook, November 4, 2020 Nights In White Satin (Days Of Future Passed Live) #MoodyBluesToday - "Nights in White Satin" reaches #2 on the Billboard Hot 100 (1972) The lush, wine-purple strains of “Nights in White Satin” fill the theater. (by Jason Lofts) (2014) (pending approval) "The Moody Blues 'Nights in White Satin'" -> "This hit song with melody is unbeaten!" Edge: They said this is going to be a hit, and we’ll pull it off as a single, so go and cut it down to three minutes, and we said, “No, it’s four minutes, 20 seconds.” That became the reason it was a hit in America. Nights in White Satin (orchestral arrangement) (tracks 7, 14, 18) Nights in White Satin ( piano arrangement ) (tracks 7, 14, 18) is the basis for: Uncut is now available as a digital edition! I was able to write [“Nights in White Satin”] in one night. What came out of that was “Nights In White Satin”. I present my interview with Justin Hayward, that was published in ESOTERIA-LAND that is no longer in print. The second time he did it, the switchboard lit up like a Christmas tree. Every now and then, a late night movie catches you at the right moment. Eventually she shows up at his place. Every instrument on that record has its own space. © 2021 Uncut is a member of the media division of BandLab Technologies. This movie haunted me for weeks. Hayward: A girl in France, Patricia, covered “Nights” and had a big hit with it first, then our version was a hit there. Mike Pinder (Mellotron): I remember paying £300 for it. Apr 21, 2020 - Weddings. Post Nov 04, 2020 #752 2020-11-04T23:41. They were all asleep, and I sat on the side of the bed with my old 12-string I was renovating for Lonnie Donegan, and I wrote the basic two verses. I have been searching for this movie for a very long time. FAQ Stayed in the Copa Cobana room. Then Mike added his Mellotron riff, and suddenly the others were interested. “We gave Elton John a lift back then, and he was quiet as a mouse, listening.”, “Nights In White Satin” also inspired one of the first full-blown concept albums, Days Of Future Passed, commissioned by Decca as a humble demonstration record for a new stereo system. Nothing gets in the way of anything else. As a song, disregarding whatever the words may mean, it's second only to Nights In White Satin. Alot of history in that 1916 home that has … We really enjoyed our stay at the Nights in White Satin. Other related anagrams without their own page: "The Moody Blues 'Nights in White Satin'" -> "What they intoned is sublime hit song." Lodge: We got a phone-call from England and it was No 19, and selling 20,000 copies a day. He's a humble genius and I wish him every success. I was at the end of one big love affair and the beginning of another, and there was a lot of random thoughts by a 19-year-old boy. 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