andrea del verrocchio

It has been suggested that he was trained as a painter under Fra Filippo Lippi. Born 1435 or 1436 in Florence; died Oct. 7, 1488, in Venice. His father, Michele di Francesco Cioni, initially worked as a tile and brick maker, then later as a tax collector. CONCEPT. Es ist das Hauptwerk unter den Gemälden Verrocchios und stammt aus der zweiten Hälfte des 15. The most important of his students were Leonardo da Vinci and Perugino, the latter Raphael’s teacher. Please select which sections you would like to print: While every effort has been made to follow citation style rules, there may be some discrepancies. Andrea del Verrocchio. Bartolomeo Colleoni, bronze equestrian statue by Andrea del Verrocchio, c. 1479–92; in Campo di Santi Giovanni e Paolo, Venice. Andrea del Verrocchio was born in Florence, the son of a brick and tile maker. Never marrying, he later provided for the education and dowries of the daughters of his younger brother Tommaso. Andrea del Verrocchio (c.1435-1488) was a Florentine sculptor, goldsmith and painter who worked at the court of Lorenzo de Medici. In 1483 Verrocchio was commissioned by the Venetian government to undertake a second major work in bronze, a commemorative statue of Bartolomeo Colleoni, a condottiere, or professional soldier, who had been employed by the Venetian republic. In the recent decades his city had been enriched both culturally and financially by a host of important figures, from Dante to Cosimo de’ Medici, putting it at the centre of the development in understanding, art, and technology. Jahrhunderts. The movement of the horse and commanding forward gaze of Colleoni gives the impression that the warrior is riding into battle at the head of his troops, who press behind. Andrea del Verrocchio, Leonardo da Vinci, and assistants, Tobias and the Angel, c. 1470, tempera on panel, The National Gallery, London, Bought, 1857. His pupils included Leonardo da Vinci and Sandro Botticelli, but he also influenced Michelangelo. Biografia del Verrocchio. It was commissioned by the Medici family. He was at first apprenticed to a goldsmith. On sait peu de choses sur ses années de formation. This article has been rated as C-Class. Jahrhunderts. Erfahren Sie mehr zu Kunstwerken in Galerien, Auktionslosen, Kunstmessen, Events, Biografiedetails, News und vieles mehr von Andrea del Verrocchio. Kostenlose Lieferung für viele Artikel! no.NG2508) of the Virgin and Child with two angels in tempera on panel, which had not previously been attributed to Verrocchio, was cleaned and restored about 2010 and is now attributed to him with a date of about 1467-69. A small painting on panel of Tobias setting out on his journey with the Archangel Raphael, carrying the fish with which he was to heal his father's blindness, was probably painted as a private devotional picture. Get a Britannica Premium subscription and gain access to exclusive content. Andrea del Verrocchio, David with the Head of Goliath, c. 1465, bronze with partial gilding, Museo Nazionale del Bargello, Florence 1 of 12 Andrea del Verrocchio's bronze statue of David was most likely made between 1473 and 1475. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Italian sculptor, painter, and jeweler of the early Renaissance. Trabajó en la corte de Lorenzo de Médici en Florencia. Verrocchio had to support several of his brothers and sisters. Andrea del Verrocchio. Andrea del Verrocchio: Liste der werke - Alle Kunstwerke nach Datum 1→10. Andrea del Verrocchio, born Andrea di Michele di Francesco de' Cioni, was an Italian painter, sculptor, and goldsmith who was a master of an important workshop in Florence. Verrocchio was one of the leading artists of late 15th-century Florence. His main works are dated in his last twenty years and his advancement owed much to the patronage of Lorenzo de' Medici and his son Piero. Explore {{searchView.params.phrase}} by color family {{familyColorButtonText(colorFamily.name)}} Disbelief of St Thomas bronze sculpture by Andrea del Verrocchio , church of Orsanmichele, or San Michele in … Besides Donatello’s monument to the condottiere Gattamelata (c. 1447–53) at Padua, Verrocchio’s Colleoni monument is aesthetically the most important equestrian statue of the Renaissance. Andrea del Verrocchio has been listed as a level-5 vital article in People, Artists. Andrea del Verrocchio war der bedeutendste Bildhauer im italienischen Florenz der zweiten Hälfte des 15. Andrea del Verrocchio (c.1435-1488) was an influential Florentine sculptor, goldsmith and painter who worked at the court of Lorenzo de Medici. 10 of 12. The bronze statue was made between 1468 and 1969 by Verrocchio for Piero de ‘Medici, father of Lorenzo the Magnificent and Giuliano, who in 1476 sold the statue to the Signoria of Florence, who intended to display it in the Palazzo Vecchio, at the entrance to the Sala dei Gigli, as a hero symbol of the republican libertas. 4th ANDREA DEL VERROCCHIO INTERNATIONAL CHORAL FESTIVAL 3rd – 6th August 2021 FLORENCE, ITALY. Little accurate biographical information is known about Verrocchio. In Florence during the 15th century, … 075 le vite, andrea verrocchio.jpg 255 × 300; 24 KB. Even while he was in Venice his Florentine workshop was maintained and directed by his favourite student, Lorenzo di Credi. Luigi Grassi, ANDREA di Michele, detto il Verrocchio, in Dizionario biografico degli italiani, vol. Verrocchio never married, and had to provide financial support for some members of his family. Andrea del Verrocchio was born in Florence, the son of a brick and tile maker. Executed between 1467 and 1483, the work is remarkable for its technical perfection, highly intellectual sense of compositional design, and understanding of the subtle emotional nature of the subject. about 1435 - 1488. Our editors will review what you’ve submitted and determine whether to revise the article. Biographie. Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. Covi thinks that it was probably painted with assistance from Ghirlandaio. See more ideas about italian renaissance, renaissance art, renaissance. Biographie. It is now in London at the National Gallery. He apparently became known as Verrocchio after the surname of his master, a goldsmith. 3, Roma, Istituto dell'Enciclopedia Italiana, 1961. He was multi-talented and, in addition to his metalworking prowess, was very proficient in the skills of painting and sculpture. Finden Sie Top-Angebote für Andrea Dell Verrocchio (nach) bei eBay. It is sometimes claimed that Verrocchio modeled the statue after his pupil Leonardo da Vinci.. Andrea del Verrocchio, (born 1435, Florence [Italy]—died 1488, Venice), 15th-century Florentine sculptor and painter and the teacher of Leonardo da Vinci. Italian sculptor, painter, and jeweler of the early Renaissance. View in Street View. A favored artist of the ruling Medici family, he created enduring monuments in stone, bronze, clay, and precious metals for the honor and magnificence of the city. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece. Andrea del Verrocchio (c. 1434/1437–1488) won acclaim as a sculptor and painter in Florence during the later fifteenth century, an age of extraordinary artistic flowering and … Andrea del Verrocchio (c. 1435 – 1488) was an Italian sculptor, goldsmith and painter. Andrea del Verrocchio. {{searchView.params.phrase}} Nach Farbfamilie entdecken {{familyColorButtonText(colorFamily.name)}} Detail Showing Face from Bust of a Young Woman by Andrea del Verrocchio . This innovative scenographic conception was influential in the development of the equestrian figures executed from the Baroque period of the 17th century to those produced in the 19th century by sculptors of the Romantic style. A painting in the National Gallery in London (cat. URL consultato il 1º luglio 2016. He had an important workshop in Florence. According to his brother Tommaso, Verrocchio was responsible for an inlaid slab (1467) in the Florentine church of San Lorenzo recording the burial place of Cosimo de’ Medici, who died in 1464. Život a dílo. Born in Florence in roughly 1435, Andrea del Verrocchio was in prime position to witness the unfolding of European Renaissance. Financial security always seemed to be a family problem. Andrea del Verrocchio (Italian pronunciation: [anˈdrɛːa del verˈrɔkkjo]; c. 1435 – 1488), born Andrea di Michele di Francesco de' Cioni, was an Italian painter, sculptor, and goldsmith who was a master of an important workshop in Florence. His equestrian statue of Bartolomeo Colleoni, erected in Venice in 1496, is particularly important. Andrea del Verrocchio (1435–1488) zählt zu den größten Meistern des 15.Jahrhunderts und prägte als Bildhauer, Maler und Lehrer die Renaissance in Florenz entschieden mit. In the mid-16th century it was reinstalled on top of a fountain designed for the courtyard of the Palazzo Vecchio in Florence (the original is now kept in the Palazzo Vecchio museum; the present fountain figure is a copy). He died in Venice in 1488. Born at Florence, 1435; d. at Venice, 1488.He was called Andrea di Michele di Francesco de' Cioni, but for his true name he substituted that of his master, the goldsmith Giuliano Verrocchio. Verrocchio, Andrea Del (properly Andrea di Michele Cioni). Portraying the condottiero Bartolomeo Colleoni (who served for a long time under the Republic of Venice), it has a height of 395 cm excluding the pedestal. He is mainly celebrated as a sculptor, though a number of important painters trained in his studio, including Leonardo da Vinci. Image: Andrea del Verrocchio Verrocchio was one of the leading artists of late 15th-century Florence. This compositional device allows the hands, as well as the face, to express the character and mood of the sitter. But it is assumed that he and Sandro Botticelli worked together under the early Renaissance master Fra Filippo Lippi in Prato, a city near Florence, where Lippi had been commissioned to execute a series of murals for the cathedral. Ordered in 1476, the cenotaph was still unfinished when Verrocchio died, and its completion was entrusted first to Lorenzo di Credi, then to Lorenzetti, and finally to a minor Italian Baroque sculptor. Let us know if you have suggestions to improve this article (requires login). Verrocchio’s reputation as one of the great relief sculptors of the 15th century was clearly established with his cenotaph, or memorial, in the cathedral at Pistoia, to a Tuscan ecclesiastical dignitary, Niccolò Cardinal Forteguerri. Andrea di Michele di Francesco di Cione detto Il Verrocchio (Firenze, 1435 – Venezia, 1488) è stato uno scultore, pittore e orafo italiano. Andrea del Verrocchio (eredeti neve Andrea di Michele di Francesco de’ Cioni), (1435, Firenze – 1488, Velence) olasz szobrász, ötvös és festő.. Apja téglaégető volt. Supposed goldsmith, and possibly Antonio Rossellino work was delivered in 1480 him with certainty, but he also Michelangelo! Italian Renaissance, Renaissance art, Renaissance himself principally to sculpture, in addition to his metalworking prowess, temporarily... 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